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Bischoff's Bathers, 30" x 40", oil on canvas
Bischoff's Bathers, 30" x 40", oil on canvas
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Westward Ho, 24" x 48", oil on canvas
Westward Ho, 24" x 48", oil on canvas
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Move Through Blue, 30” x 40”, oil on canvas
Move Through Blue, 30” x 40”, oil on canvas
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Key Bridge from South, 24” x 48”, oil on canvas
Key Bridge from South, 24” x 48”, oil on canvas
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Under the Whitehurst Freeway 1, 16" x 20", oil on canvas
Under the Whitehurst Freeway 1, 16" x 20", oil on canvas
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Under the Whitehurst Freeway 2, 16" x 20", oil on canvas
Under the Whitehurst Freeway 2, 16" x 20", oil on canvas
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Woman Awash, 24" x 48", oil on canvas
Woman Awash, 24" x 48", oil on canvas
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Batholith Ablaze, 24” x 36”, oil on canvas
Batholith Ablaze, 24” x 36”, oil on canvas
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Man Awash, 30" x 30", oil on canvas
Man Awash, 30" x 30", oil on canvas
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Will, 16” x 20”, oil on canvas
Will, 16” x 20”, oil on canvas
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The Artist’s Father in India, 16” x 20”, oil on canvas
The Artist’s Father in India, 16” x 20”, oil on canvas
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King of the Bayou 3, 22" x 28", oil on canvas
King of the Bayou 3, 22" x 28", oil on canvas
http://foundrygallery.org/artist-list/item/10-ed-bear-miller.html#sigProGalleria8d29e821e9
For further information, please visit www.bearmiller.blogspot.com
To contact Ed, please email
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All images are copyrighted by the artist. Reproduction of any image for any purpose without the express permission of the artist is strictly prohibited.
Edward Bear Miller was born and raised in Washington, DC and paints local landscapes and urban-industrial spaces from life and from photos, depending on the weather. He also paints portraits and figures, often in familiar settings. His B.A. is in History from Reed College (’94) and he earned a Master’s in Teaching Social Studies from Lewis & Clark College before teaching History, English, and Spanish for more than ten years in Washington State; Quito, Ecuador; and in DC-area high schools. Ed started painting in oils at St. Albans School and continued painting throughout his college career, including during a six-month apprenticeship with Pacific Northwest artist Philip McCracken in 1994. He enjoyed several summers of success as an Adirondack landscape painter before deciding to devote himself to painting full-time in 2009. He is represented by the Corscaden Barn of Art in Upstate New York, and the Octavia Gallery in New Orleans, and is a member of the Foundry Gallery in Washington, DC.

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